Zeugma Totally Explained

Everything about Zeugma totally explained

Zeugma (from the Greek word "ζεύγμα", meaning "yoke") is a figure of speech describing the joining of two or more parts of a sentence with a single common verb or noun. A zeugma employs both ellipsis, the omission of words which are easily understood, and parallelism, the balance of several words or phrases. The result is a series of similar phrases joined or yoked together by a common and implied noun or verb. In a modern sense, the zeugma has been classified as a synonym for syllepsis, a particular kind of zeugma, although there's a clear distinction between the two in classical treatises written on the subject. Henry Peacham praises the “delight of the ear” in the use of the zeugma in rhetoric, but stresses to avoid “too many clauses.” The zeugma is categorized according to the location and part of speech of the governing word.

Prozeugma

The prozeugma (also called the Synezeugmenon or the Latin praeiunctio) is a zeugma where a verb in the first part of a sentence governs several later clauses in series.

’’Vicit pudorem libido, timorem audacia, rationem amentia (Cicero, Pro Cluentio, VI.15)

“Lust conquered shame, audacity fear, madness reason.” (also an example of a tricolon)

“Povertie hath gotten conquest of thy riches, shame of thy pride, danger of thy safetie, folly of thy wisedome, weakenesse of thy strength, and time of thy imagined immortalitie. [sic]”-- Henry Peacham (FOR ZEUGMA) For Example:
'Mr Jones took his coat and his leave'

Mesozeugma

The mesozeugma is a zeugma where a verb in the middle of the sentence governs several parallel clauses on either side.

Both determination and virtue will prevail; both dedication and honor, diligence and commitment.

“What a shame is this, that neither hope of reward, nor feare of reproch could any thing move him, neither the perswasion of his friends, nor the love of his countrey. [sic]”--Peacham

Hypozeugma

The hypozeugma, also called an adjunctio in Latin, is a zeugma where a verb falls at the end of a sentence and governs several parallel clauses that precede it.

Aut morbo aut vetustate formae dignitas deflorescit.—Rhetorica ad Herennium ť "Either with disease or age, physical beauty fades"

”through rain or sleet or dark of night, the mail must get through.”—motto of postal carriers (also contains a rhetorical bracketing and repetition of the word “through”)

Nihilne te nocturnum praesidium palatii, nihil urbis vigilae, nihil timor populi, nihil concursus bonorum omnium, nihil hic munitissimus habendi senatus locus, nihil horum ora vultusque moverunt? —Cicero In Catilinam I-IV. ť "Does not the nightly watch of the Palatine, Does not guard of the city, Does not the fear of the people, Does not the union of all good men, Does not the holding of the senate in this most defensible place, Do not the looks and faces of these people move you?"

By suspending the verb until the end, the listener is unable to determine what action the atrocities will cause, which is precisely the point Cicero intends to make. In this manner, the hypozeugma lends itself well to the forming of a periodic sentence.

"Friends, Romans, Countrymen, lend me your ears."—William Shakespeare, Julius Caesar

"Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride ť On the opposite shore walked Paul Revere."- Henry Wadsworth Longfellow, "Paul Revere’s Ride"

"The foundation of freedome, the fountaine of equitie, the safegard of wealth, and custodie of life, is preserved by lawes."—Peacham Following a hypozeugma with a prozeugma can create a chiasmus (The foundation of freedom and the fountain of equity is preserved by laws. Our lawless acts destroy our wealth and threaten our custody of life.)

Diazeugma

The diazeugma is a zeugma where a noun governs two or more verbs. Latin rhetoricians further divide the diazeugma according to the placement of the subject and verbs.

Diazeugma Disjunction The subject appears at the beginning of the sentence and each verb follows in its respective clause.

Populus Romanus Numantiam delevit, Kartaginem sustulit, Corinthum disiecit, Fregellas evertit.—Rhetorica ad Herennium ť The Roman people destroyed Numantia, razed Carthage, demolished Corinth, and overthrew Fregella.

Formae dignitas aut morbo deflorescit aut vetustate extinguitur—Rhetorica ad Herennium’’ ť Physical beauty: with disease it fades; with age it dies.

Diazeugma Conjunction The subject appears in the middle of a sentence and may take the place of a conjunction.

Stands accused, threatens our homes, revels in his crime, this man guilty of burglary asks for our forgiveness.

Despairing in the heat and in the sun, we marched, cursing in the rain and in the cold.

Hypozeuxis

The Hypozeuxis is the opposite of a zeugma, where each subject has its own verb.

The parents scowled, the girls cried, and the boys jeered while the clown stood confused.

"We shall fight on the beaches. We shall fight on the landing grounds. We shall fight in the fields, and in the streets, we'll fight in the hills. We shall never surrender!"—Winston Churchill

"Fear leads to anger. Anger leads to hate. Hate leads to suffering" - Yoda, .

Syllepsis

Syllepsis is a particular type of zeugma in which the clauses are not parallel either in meaning or grammar. The governing word may change meaning with respect to the other words it modifies. This creates a semantic incongruity which is often humorous. Alternatively, a syllepsis may contain a governing word or phrase which doesn't agree grammatically with one or more of its distributed terms. This is an intentional construction bending the rules of grammar for stylistic effect.

Distributed term changes meaning

The governing term can change meaning in its distribution, sometimes to comical effect. ť alter cum res gestas tum etiam stadium atque auris adhibere posset.—Cicero, Pro Archia Poeta, (62)

   the other was able to lend not only his achievements, but also his support and ears ť Here thou, great Anna! whom three realms obey,

   Dost sometimes counsel take - and sometimes tea. ť Alexander Pope, The Rape of the Lock (Pope was speaking of Queen Anne and Kensington Palace; note that in Pope's time, "tea" was pronounced "tay" and thus rhymed with "obey.")

ť He carried a strobe light and the responsibility for the lives of his men.

   Tim O'Brien, The Things They Carried Syllepsis can be used with idiomatic phrases to achieve a similar result:

We must all hang together, or assuredly we'll all hang separately. ť Benjamin Franklin

You held your breath and the door for me. ť Alanis Morissette, Head over Feet

I took her hand and then an aspirin in the morning, ť I took her hand and took her home.

Eve 6, "Girl Eyes"

"Oh, flowers are as common here, Miss Fairfax, as people are in London." (from The Importance of Being Earnest by Oscar Wilde) Cecily is making a catty remark to Miss Fairfax, a Londoner, by using "common" in two senses, namely "numerous" and "vulgar".

"The Russian grandees came to Elizabeth's court dropping pearls and vermin." Macaulay tells us here in one short phrase a great deal about the Russian grandees.

"Are you getting fit or having one?" (from the television program M*A*S*H)

"You are free to execute your laws, and your citizens, as you see fit." (from the television program )

"She was a thief, you got to believe: she stole my heart and my cat." (from the film So I Married an Axe Murderer)

Syllepsis with ambiguous grammar

A syllepsis may contain a governing word which doesn't agree grammatically with one or more of the words or clauses to which it's distributed.

"Loud lightning and thunder shook the temple walls." ť Here, neither "loud" nor "shook" agree with "lightning", a purely visual effect.

"The sky and my hopes is falling."

"Our son's diaper and your excuses is stinking." ť The first subject is brought to our attention more ominously by the verb with which it agrees.

Examples of syllepsis

[She] went straight home in a flood of tears, and a sedan chair. - Charles Dickens

He said, as he hastened to put out the cat, the wine, his cigar and the lamps... ť She lowered her standards by raising her glass, her courage, her eyes and his hopes

When he asked, "What in Heaven?" she made no reply, up her mind, and a dash for the door - Flanders and Swann, "Madeira M'Dear"

Just a dissipated creep who wears a Rolex on his wrist/On her nerves, too much cologne, and down her power to resist. ť Did she turn down the wrong hallway, his advances, or the sheet? - Bob Kanefsky, "The Girl Who Had Never Been ..."

... and covered themselves with dust and glory. - Mark Twain, The Adventures of Tom Sawyer

You can leave in a taxi. If you can't get a taxi, you can leave in a huff. If that's too soon, you can leave in a minute and a huff. - Groucho Marx, from Duck Soup

Come the (computer) revolution, all persons found guilty of such criminal behavior will be summarily executed, and their programs won't be!--Numerical Recipes

My teeth and ambitions are bared; be prepared! - Scar, from The Lion King with lyrics by Tim Rice

She blew my nose and then she blew my mind. - The Rolling Stones, Honky Tonk Women

The levees were broken and so were the promises. - Anderson Cooper, Dispatches from the EdgeFurther Information

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